During the Spanish Civil War, on April 26, 1937, a Luftwaffe unit known as the Condor Legion delivered a crushing blow to the city of Guernica, which was under Republican control at the time. Several thousand bombs were dropped on the city in three hours of intense bombardment, transforming the Basque shrine into a true ruin — a pile of flaming rubble and stones beneath which the seven thousandth city is buried.


How do you depict a senseless massacre that killed thousands of innocent people? It’s agony, and it’s disfiguring.


Fear, hatred, and cruelty are represented by distorted faces. The artist walks over the avant-garde, returning to the Middle Ages — he attempts to raise moral issues, and immediately responds succinctly and categorically: the world is absurd, and morality has no place in it. The canvas is enormous in size, measuring 3.5 meters in height and 8 meters in length.

Pablo Picasso painted the picture almost nonstop, over and over, trying to capture as accurately as possible the storm that raged in his soul and throughout Europe. The plot and composition of the film are not based on actual events — these are apt associations and deep images that work in tandem.

They have the appearance of a stupid pile-up. A dead rider, a woman with a lamp, a convulsing horse… They appear to be trapped in a “stone bag,” with an incandescent lamp casting a cold light over their heads.

It’s worth noting that the artist purposely excludes everything that, in his opinion, does not carry a semantic or emotional weight, depicting only what can’t be done without. The mother, who is facing the camera, opened her mouth wide, as if trying to scream quietly. The nostrils are elevated above the eyes.


The characters’ individuality is completely absent; they are like Rosencrantz and Guildenstern in Stoppard’s play in that they have no idea who they are or what they are doing in this hell. But that isn’t all. After all, there are others besides those who remained in Guernica. There are those who observe silently and ineffectively. Their cold gaze glides over the scene of the massacre, expressing nothing. The bull personifies this aloofness.


Much later, during World War II, the bull came to be associated with Hitler and Franco. But, to be honest, they aren’t there. “Guernica” is not tied to a specific time event because there will always be a bull, agony, and a cold light.

2.The Boy with the Pipe

The period in Picasso’s life when the canvas “The Boy with the Pipe” was created is considered early in his career, pre-cubist, and experts consider it to be the most valuable period. Picasso created the “Boy with a Pipe” in 1905, while living and working in the heart of France, Paris.

“The boy with the pipe” is a painting that belongs to the relatively uncommon category of a master’s most iconic works. The canvas became a symbol of the great Spanish artist’s transition from “blue” to “pink.”

period. There are almost no sales of works of this level by Picasso at various auctions, which is why the “Boy with a Pipe” is a completely unique lot that sparks a fierce bidding war for the work’s purchase.

Pablo Picasso is rightly regarded as one of the most “productive” brush masters. Several thousand works by the author’s hand can be found on the art market. However, because his works from the last years of his life are more widely available, their prices are significantly lower than those from earlier periods, which are virtually unavailable on the market.

The work of the “Boy with a Pipe” is frequently referred to as a watershed moment in Picaso’s career.

A happy series of acrobats, circus performers, and a dancer replaces a very clean, surprisingly simple, and slightly sad portrait of an ordinary young man. According to some sources, the boy was dubbed “baby Louis.” There are also numerous versions of who he was, but one thing is certain: the man had a friendly relationship with the artist. Louis appears in many of the master’s canvases in front of the audience.


Looking at the painting, connoisseurs notice that the artist Picasso accurately conveys the melancholy mood and compositional poetry; the image is very touching, slightly sad, and returns a little looking at the painting in the “blue” period.

The work “Boy with a Pipe” has been shown multiple times at various thematic exhibitions and has been mentioned numerous times in catalogs.


The “Boy with a Pipe” undoubtedly increased Pablo Picasso’s already well-known fame. This canvas has earned the viewer’s attention, interest, and enthusiasm despite being one of the most expensive paintings in the world – it is always more important for a person to know what is hidden from thousands of eyes. This is a rare “Boy with a Pipe” whose author is the equally enigmatic Spanish artist Pablo Picasso.

3.Nude, Green Leaves and Bust


“Nude, Green Leaves, and Bust” is Pavel Picasso’s most successful work of art. This painting is one of the best masterpieces of the year 1932, created between the two world wars.


The design is based on a sexual motif. The author was able to successfully combine and interweave his own pictorial inclinations and emotional state of the soul. Picasso finished all of the work on the painting until March 8, and it was displayed in one of the most important art galleries in June.


“Naked,green foliage and a bust “is the most difficult work of all the masterpieces in which Maria Theresa’s image appears. Here’s a symbolic triangle from the author’s real life with a mysterious subtext. It is impossible to unravel the full extent of the presented appearance right away. The work entices you to return again and again to consider the relationship between all of the work’s symbolic elements.

The model’s image exudes unrivaled beauty and personal peace. Her skin is a lavender color, and her hands are folded over her head. Maria is the sex and seduction goddess who is sleeping soundly and peacefully She is approachable and open, but it is impossible to follow the flow of her thoughts.

A stone bust of the Madonna stands out in the painting, and Greek sketches are intertwined with it. In comparison to the seductress’s body, this section of the masterpiece is painted with three layers of paint. From above, a philodendron plant can be seen.


When one looks at it, one gets the impression that it is sprouting a body ready for fertilization. The temptress fasts in the shape of an open blooming flower, and the plants rising from her chest represent a woman as the plant world’s queen.


The artist also depicted a curtain in the background, hiding the woman from the light and from the eyes of strangers, revealing only to friends.


Picasso’s “Nude, green leaves, and bust” is a wonderful work in which sexuality, mystery, temptation, and the beauty of the female body are all successfully intertwined. The image of Mary captures the viewer’s attention and entices them to return to it again and again in order to solve the mystery of all the elements.

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